Unfinished Revolutions: Exploring the living legacy of 1776

Get Out (15)

A Schwarzman Centre Presentation
31 May 2026 18:00
31 May 2026
18:00

When Chris travels with his girlfriend to meet her family at their secluded estate, an uncomfortable weekend soon spirals into something far more sinister. A suspense-filled horror-thriller directed by Jordan Peele that explores racism, privilege and paranoia with biting social satire. 

Part of Black Horror in “Post-Racial” America: Fear on Film After Obama through Trump 2.0

 

About the series

Black Horror in “Post-Racial” America: Fear on Film After Obama through Trump 2.0 is a week of screenings exploring the rise of contemporary Black horror cinema and the genre’s power to confront histories of racism, violence and inequality. Featuring landmark films including Get Out, Us, Candyman, Sorry To Bother You and Sinners, the series examines how horror can unsettle dominant narratives, challenge systems of power and reimagine America’s relationship to race, class and identity.

Find out more

 

Films in the series

  • Us (Jordan Peele, 2019) - Tuesday 26 May (Please note: This screening is taking place at Ultimate Picture Palace)
  • Sinners (Ryan Coogler, 2025) - Thursday 28 May
  • Double feature: Candyman (Bernard Rose, 1992); Candyman (Nia DaCosta, 2021) - Friday 29 May
  • Sorry To Bother You (Boots Riley, 2018) - Saturday 30 May
  • Get Out - (Jordan Peele, 2017) - Sunday 31 May 

Presented by the Schwarzman Centre in partnership with Ultimate Picture Palace

Curated by Dr Christy Wensley, Faculty of English, whose work is supported by a Leverhulme Early Career Fellowship

  • Content rating: kijkwijzer14
  • Content rating: Violence
  • Content rating: Sex
  • Content rating: Fear
  • Content rating: Discrimination
  • Content rating: Foul language

Duration:

2 hours 25 minutes

 

Age rating:

15+

 

Language:

English

 

Director:

Jordan Peele

 

Year:

2017

 

Content warnings:
discrimination, language, sex, sexual violence, threat and horror, violence.

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